Small Stories, Big Collective: An Interview with Jazz Singer Laura Corallini

by | indieBerlin

 

 

Laura Corallini is a Berlin-based Argentinian jazz singer working on her second album. I talked toย her about the musician’s lifeย inย Berlin and her crowdfunding campaign.

How has living in Berlin influenced your music?

Living in Berlin has influenced my music and inspired me in many different ways. Being that Berlin is such a big city, I could feel anonymous and try out a lot of things. I felt like there were no boundaries and that I wasย able to get rid of my own preconceptions aboutย what was good or bad, beautiful or ugly. The musicians I played with and the music lessons I took all over Europe were a big part of what inspired me.

What is the Berlin music landscape like for indie jazz artists?

The jazz scene in Berlin is very intense, thereยดs a lot going on and there are many very talented artists trying to do their thing. I think Berlin provides many oportunities to try out things, perform, and be inspired. Unfortunately, the economic/commercial side of it isnยดt so promising. Berlin is known to beย โ€œpoor but sexy,โ€ I prefer saying it’s sexy but poor. In the end, itยดs quite difficult for musicians to be able to develop their music when thereยดs no money. You need time and to be able to free your mind of โ€œmundaneโ€ worries so you canย develop and produce your project and connect with your creative world. I find this difficult. Most musicians actually teach, including myself. I totally love my teaching activities, but they do take lots of time ans energy.

Who are your musical influences?

Ufff, so many! Argentinean pop rock from the 70s and 80s (Spinetta and Charly Garcรญa being my all times favorites), Latin American music from all erasย (Argentinean Folk, Anacrusa, Silvio Rodriguez, Jaime Roos, Chabuca Granda) , Brazilian music composers (like Chico Buarque, Tom Jobim,ย  Gismonti, Joรฃo Gilberto) and singers Elis Regina, Rosa Passos, Tania Maria, Joyce, Mercedes Sosa, Ella Fitzerald, Lila Downs, Maria Joรฃo, Esperanza Spalding, Gretchen Parlato, Bjรถrk, Bobby McFerrin…the list is endless!

In this new album you combine Latin American and European musical traditions. Could you go into that a bit more?

I have always felt attracted to the limits of ย popular, folkloric, and modernย styles; the old and the new; the traditional and innovative. I feel this way about music but also aboutย fashion, architecture and almost any form of human expression. I recognized the opportunity that was being presented to me in Berlin. I wanted to go back to that folkloric tradition and keep the message, the melody, the story, the imagesย attached to it while alsoย approaching it from an honest personal perspective, that of a woman from a big city livingย abroad for some years nowย whoย wantsย to revisit those places from her personal point of view. This way of looking at it allowed me to open this repertory up and perform this music with local musicians. The result wasย movingย toย both me and the musicians I shared this with.

Who are the otherย musiciansย playingย on your album?

Marcel Krรถmker is the musical director and on double bass, Ludwig Hornung is on piano and Tobias Backhaus is on drums. Three sensitive, talented and experienced German musicians that color this repertory with their own ย musical influences.

What inspired you to choose these songs for the album?

These songs are all part of my musical history fromย the time before I moved to Berlin. I discovered many of them as a young teenager withย a deep interest in music. I only truly understood the stories later. These songsย talk about people, landscapes, countries, living in exile, love – topics that are never outdated. They are small stories that are, in many cases, the story of a bigger collective. When I first showed Marcel Krรถmker some of the tunes a couple of years ago I didnยดt realizeย how exciting the process would be. Deconstructingย the pieces and building them up again transformed the tunes in my ears forever. They became a bit moreย โ€œmine.โ€

Why did you decide to do a crowdfunding campaign?

The costs of producing an album the way I wanted to (in a good studio, paying the musicians the money the should be paid, etc)ย as an independent artistย were out of my reach and I didnยดt want to wait longer to put all these years of work into one recording.

When is your album coming out?

I’m aiming forย spring 2017, but Iยดm waiting for some news in the coming weeks to see how my 2017 develops.

Are you planning on touring anytime soon?

Yes, I hope we will be able to present the album after next spring. We have three concerts already confirmed and we’re rehearsing right now!

Do you have any advice for burgeoning jazz singers living in Berlin?

No!! Maybe they have adviceย for me? Haha ๐Ÿ™‚

Laura Corallini’s indiegogo campaignย has lots of cool perks andย is ending in just a few days. I encourage you to check it out!ย https://igg.me/at/lauracorallini/x/3600433

Interviewer: Eli Lewy

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