Freddie Gibbs & Madlibโs sophomoric album is a powerful and sprawling statement
Since 2014โs collaboration โPiรฑataโ announced Freddie Gibbs & Madlib (or MadGibbs) as a heavyweight hip-hop duo, expectations have been high for their next move. โBandanaโ, which dropped last week, is a highly assured effort that builds upon the strengths of both and channels the rich creative energy of both artists. Gibbs provides an assured and concise lyrical accompaniment to Madlibโs diverse production, the two raising each otherโs game. Through some surprising twists and turns, the record demands repeated listening. This isnโt arduous, though, with the record already talked about as a contender for hip-hop album of the year.
Apparently utilising beats mostly rejected by Kanye from his โLife of Pabloโ album, Madlib excels here. The album is emblematic of his archaeological approach, unearthing eclectic musical treasures and marrying these together seamlessly. That all the beats were made on an iPad speaks to his abundant talent. Gibbs effortlessly weaves his words around the music, his flow easing and speeding up in perfect sync. โFlat Tummy Teaโ is a perfect example of his dexterity in this sense. This is vital in holding more disjointed numbers such as โHalf Manne Half Cocaineโ together.
With collaborations from Pusha T and Killer Mike (on โPalmoliveโ) and Anderson .Paak (on โGiannisโ), this album is a powerful and sprawling statement. That Gibbs has spent the years between โPiรฑataโ and โBandanaโ releasing middling solo material speaks to the strength of Madlibโs producer talents. Less raw, perhaps, but more mature than their debut, โBandanaโ manages to stand out even in a golden era of hip-hop. The two seem set to link up for a third release in the trilogy. On the showing of their collaborations thus far, that should be essential listening.
โBandanaโ is available now on all platforms. Freddie Gibbs & Madlib will play Astra on November 1st.